Posts Tagged ‘piano lesson’

Piano Lesson: How To Improvise The Classical Piano Way

Friday, September 25th, 2009

By [http://ezinearticles.com/?expert=Peter_Edvinsson]Peter Edvinsson

Is it possible to improvise on the piano in a classical manner? This piano lesson will help you find out how to cultivate this art and the benefits you reap as a pianist!

Jazz piano improvising is an established art nowadays and much have been written on how to develop improvisational skills in this area.

What about classical piano improvisation?

Many of the methods used for learning jazz piano improvisation can be applied in classical piano improvisation as well.

Many composers like Johann Sebastian Bach, W.A. Mozart, Felix Mendelssohn, Frédéric Chopin and others were actually more famous for their improvisational skills during their lifetime.

Personally I have tried to develop this skill and I find it very enjoyable to improvise with classical piano pieces as a basis for creative trips.

I love to improvise in the style of classical composers trying to find myself somewhere among the notes. These special moments are a form of meditation. They clear my mind and also helps me as a composer to stimulate my creative abilities.

The most important reason for developing this skill is that it is fun and very enjoyable. If you learn classical piano improvisation you will benefit from it in many other ways too:

1. It will be easier for you to memorize classical piano sheet music as you will become more aware of what happens when you press down the piano keys.

2. You will find it easier to compose your own piano pieces in a classical piano style.

3. You can make up your own technical exercises on your piano on the go.

4. You will understand your piano better.

There are many ways to develop your skill in classical piano improvisation. Let’s see!

1. As soon as you have learned a piano scale try to use it by creating improvised melodies while playing chords or patterns with the other hand.

2. When you learn new chords try to create patterns to play with your left hand as you play improvised melodies with your right hand. A common easy left hand pattern is with the chord C:

C G E G C G E G

3. As you learn to play new classical piano compositions try to memorize beautiful or exciting passages in these compositions and play around with them and try to modify them and improvise over them.

4. Try to create classical melodies at the piano without stopping. In order to learn to improvise classical music you have to practice just that – To improvise classical piano music.

The most basic requisite in order to develop the skill of classical piano improvisation is that you want to learn this art and with this desire you will find ways to practice this art in all your piano playing.

Peter Edvinsson is a musician, composer and music teacher. Visit his site Capotasto Music and download your   free sheet music and learn to play piano resources at http://www.capotastomusic.com

Why This Girl Hates Piano

Friday, September 18th, 2009

By [http://ezinearticles.com/?expert=John_Aschenbrenner]John Aschenbrenner

Today I was happily teaching a family with three children, and we were having a lot of fun. I made certain the kids learned something valuable, no matter how small, and that they had a smile on their faces every possible minute.

I use a very easygoing approach, as many of you know, and this leads to enthusiasm and involvement, which make learning easier and enjoyable.

As I was leaving, the Mom stopped me and said, “I’m amazed that my kids love piano so much. They fight over who gets to play.”

She then told me a story about an eleven-year-old friend of her daughter, who came over for a playdate the previous weekend and then played the piano for the family.

The Mom was amazed, when, after very good piano playing, the girl remarked, “I hate piano. I really hate it. I want to quit but my Mom won’t let me.”

This child had been taking lessons from a well-known local disciplinarian, apparently, since she was five.

I find this so sad, and have met many, many kids whose piano teachers have driven them to feel this way.

It’s one of the unspoken secrets of the piano teaching business.

These kids have been taught, like mechanical monkeys, to press the piano keys until a recognizable piece of music, preferably impressive for the teacher’s sake, comes out of the piano.

The teacher must be very proud. It took only six years to get the child to play one or two or fifty complicated piano pieces, but what was the price?

The price was her love for the piano, which vanished.

Now, in the place of love for the instrument, there is hatred and resentment for the useless (because now she hates it) and boring work she was forced to undergo, apparently without reward.

It is as if the doctor saved your life, but had to cut off your head.

What’s the point in doing something if you end up hating it?

If you think the child received some benefit from this struggle, ask an adult who went through the same type of piano lesson experience.

These adults all say, in unison, “No, I hated it, and I never want to play again, but isn’t there some way MY child could be taught without making them hate it?” This is what almost all of them say to me when they hire me to begin lessons with their child.

If you read between the lines in all these “quit piano” stories, a different dynamic emerges: the teacher insisted on the victory of their method at the price of the defeat of the child.

A child who takes piano for six years, and can play well but hates it, is defeated. The teacher isn’t defeated, because they have your $10,000.

And these types of teachers are proud of their “accomplishment,” grinding out yet another generation of children who “hated piano lessons when I was a kid,” and don’t want to play a note when they are adults.

Isn’t there a piano teacher out there clever enough to accomplish both? Where are the teachers who can both properly instruct and inspire a child?

Another truth is that the worst piano teachers achieve these “victories” through years of unending browbeating, guilt and impatience, which the children bear because they are good children, obedient, loyal to their parents, hardworking and diligent.

They beg to quit piano lessons all along, but the parent hears the piano being played, and it sounds like music, so they continue. They listen to the teacher, who wants the client and convinces them to stay. Who does the parent listen to, the professional teacher or the eleven year old?

All the while the child is really being taught to hate the very thing the parent is paying for them to learn!

I think this story and the legion of others like it prove the point I have been trying to make:

The piano teacher’s job is to make the child love the piano. If you can’t accomplish that, you’ve robbed the child.

The piano teacher’s job is to give the child the tools they need to go further on their own, and the one tool they’ll need more than any other is love for the instrument.

Anything that defeats the objective of the child loving the piano is wrong and is to be avoided.

When your child says they want to quit the piano, they mean they hate the teacher and their autocratic, boring lectures. They just don’t know how to say it when your authority insists they are wrong and must continue.

If you listen to your children soon enough, and can find one of the enjoyable piano teachers, you may still be able to save your child’s love for the instrument.

John Aschenbrenner is a leading children’s music educator and book publisher, and the author of numerous fun piano method books in the series PIANO BY NUMBER for kids. You can see the PIANO BY NUMBER series of books at http://www.pianoiseasy.com

Piano Lesson: What Can Pippi Longstocking Teach You About Piano Playing

Saturday, September 12th, 2009

By [http://ezinearticles.com/?expert=Peter_Edvinsson]Peter Edvinsson

Piano playing is an art with unlimited possibilites. Pippi Longstocking made a remark in a film that can be used when you try to learn to play piano.

Pippi Longstocking is a nine-year-old Swedish girl in a series of children’s books. Pippi has red braids and is very unconventional, assertive, extraordinarily strong, and rich. She lives alone with a monkey and a horse in an old funny house. Her friends Tommy and Annika accompany her on her wild adventures.

One Christmas when she was alone in the house looking out through the window feeling lonesome her lyoung friends and the children from town came in a procession to her house surprising her with a Christmas present.

She was very happy when she saw them and when she opened the present she found a trumpet and immediately started to play on it.

One of the children commented: “I did’nt know that you played trumpet!”. Pippi answered smilingly: “Well, it is easier when you have a trumpet!”

Much wisdom there. It is easier to learn to play an instrument if you have an instrument. It is easier to learn to play piano if you have a piano. Do you have a piano?

What does it mean to have a piano. Let me explain………..

One of my cousins lived with her family in a small town in a small house. In the house was a tall black piano bought from a nearby amusement park. This piano was fascinating in one aspect.

It was fantastically out of tune!

When you played a melody on the piano it was like playing in different keys at the same time. My cousin living there never became a pianist. I don’t know if the out of tune piano put her off but it sure didn’t help her.

She learned one funny piano song at least and I can still remember the sound of it on that piano.

I think that you can say that a piano has to be tuned or it isn’t really a piano. All those beautiful and fantastic piano compositions are intended to be played on a tuned instrument.

I would suggest the following….

1. Have a piano. Meaning a tuned instrument. Make it a priority to have your piano tuned by a piano tuner or if you are adventurous, try to tune it yourself! Read about piano tuning on the net.

2. Buy a digital piano. It is always in tune but has other small disadvantages. It should have weighted key action to imitate the action of an acoustic piano.

When I was a child we always had our piano in tune but I guess it is quite common to find pianos that is out of tune around the globe.

I guess you can get used to playing on out of tune pianos but this will limit your progress and the joy you deserve to experience when you play piano.

Peter Edvinsson is a musician, composer and music teacher. Visit his site Capotasto Music and download your [http://www.capotastomusic.com]free sheet music and learn to play resources at [http://www.capotastomusic.com]http://www.capotastomusic.com.